Convexe (N America)/Salvo (Europe)
At the end of 2010, the Metropolis television company organized a series of intimate concerts at their London studios, each showcasing a ‘heritage’ act to 140 people, each of who paid £175 for the privilege. Apparently a glass of champagne and a meeting with the artist was also included in this price. The series included Caravan, Barclay James Harvest, The Zombies, Roy Harper, Bill Nelson and Van der Graaf Generator. The idea was to professionally film the performances in a studio environment and broadcast them on national TV. Each audience member would get a DVD of the show, which would then made available to the public at some later date.
In the event, the TV showings never materialized, with DVD
Continue reading Van der Graaf Generator – Live in Concert at Metropolis Studios, London […]
One of the classic structures to horror fiction is pretty much the same as the classic “two men went into a pub” joke. As are so many things in life, chiefly among them instances of two men going into a pub. Get some broadly-drawn characters, put them in a place and a situation, work through the story, and then BAM!- hit ’em with the punchline. Jon Gorman and Thomas Edward Seymour‘s latest defiantly indie horror pic does this almost to perfection, and is all the better for it. An adaptation of Rudyard Kipling‘s “Mark Of The Beast,” it takes the unusual step of simultaneously sticking very close to the original text and uprooting the action from colonial India and plonking it down in the rural USA and making it dress up as a cabin in
Continue reading Mark of the Beast […]
Conveyor (N America)/Salvo (Europe)
In 1987 I was trying my damnedest to reject the hateful and morally-bankrupt Thatcherite dream which seemed to be crushing everything in its path like some ghastly metal steamroller with Keith Joseph laughing behind the wheel, and instead recreate the psychedelic summer of twenty years before in Buckinghamshire’s green and pleasant pastures.
And, with plenty of sunshine that year, the release schedules of Bam Caruso and Edsel to be worked through, my first Purple Om and the Alice in Wonderland/Planet Alice nexus to take me on magical mystery tours (to dazzling, psychedelic Lowestoft!) and sell me ludicrous crushed velvet shirts, I considered that I was doing a halfway decent job of it. Barbara, who ran the local Student Union bar,
Continue reading The Zombies – Live at Metropolis Studio, London […]
Blast First Petite
Appearing as part of a series of DVDs from Blast First Petite unearthing performances on legendary German TV music show Rockpalast (see also [post=kevin-coyne-live-dvd text=”Kevin Coyne in 1978″]) comes a rare broadcast featuring John Fahey from March 1978. Remastered from the original video tapes, this is a rare opportunity to see footage of Fahey on stage, and the results are captivating.
Fahey arrives in front of the WDR TV audience to a brief introduction and no stands upon which to place the guitars he holds in each hand. Thankfully his embarrassment is averted by the reverentially lighthearted way his corduroy jacket is instantly whisked off his waiting arms as he seats himself at the mic, at once amusing, and indicative of the esteem in which he was – and is – held. Eschewing banter or introductions, a blue-shirted Fahey
Continue reading John Fahey – Live at Audimax Hamburg 1978 […]
This is the DVD and Blu Ray edition of a performance of Raw Power by Iggy & The Stooges‘ at the All Tomorrow’s Parties festival in September 2010, not long after the untimely death of founder member Ron Asheton. The CD edition included all eight songs (albeit reordered) from their classic third album alongside single cut “I Gotta Right,” and Alan Holmes‘ review of the disc can be read [post=iggy-stooges-raw-power-live-hands-fans text=”here”].
Leaving the musical content to the review for the most part, it’s worth noting that the sound on the video is excellent throughout, and the performance by the band is exemplary in its energy and vigour. James Williamson rejoins The Stooges onstage for the first time since 1973 to recapture his contribution to Raw Power, while Mike Watt continues to hold down bass duties which were originally taken on
Continue reading Iggy & The Stooges – Raw Power: Live In The Hands Of The Fans (video) […]
Blast First Petite
I never saw Kevin Coyne live despite being a fan of his unique work throughout the seventies. With the absence of any UK TV coverage at the time, it was only with the dawn of the internet age that I chanced upon bootleg footage of his appearance on the German Rockpalast show from 1979. It was a great performance that reinforced my enthusiasm for the man’s music and happily the show is now officially available, remastered from the broadcast tapes, on DVD thanks to Blast First Petite. Although the quality is slightly better than my old bootleg, 1979 transmissions hardly compare to today’s HD standard, but then I guess most Kevin Coyne fans are probably not technophile obsessives.
On record, Coyne comes over as the unlikely progeny of Max Miller and Memphis Minnie, and the visual element actually emphasises
Continue reading Kevin Coyne – 1979 Live at WDR-Studio L Cologne […]
To borrow the imprecation that Debbie Harry once sang so passionately in 1978, “Picture this.” However, rather than a sky full of thunder, or for that matter Debs’ telephone number (wistful sigh…), try instead a giant sit-on banjo constructed from an oil drum, a goat, an empty bag of powdered milk and some strings. For a finishing touch, decorate the neck and body of this Heath Robinson musical contraption with band names (in the manner of a rock band’s kick drum), slogans and even designs like a near Magen David. With me so far? Good, because what you are now holding in your mind’s eye is known, in southeastern Congo, as a karindula. Over the border into Zambia they call it a kalindula, but it seems rather churlish to worry about a single stray consonant when we’re so deep into
Continue reading The Karindula Sessions: Tradi-Modern Sounds from Southeast Congo […]
Although this DVD was released in late 2010, the footage — shot at the second annual festival held in Scheer, southern Germany — dates from 2005. Scheer is a small provincial town that since the late 90s has been the headquarters of Faust (or rather one of the two Faust factions, this being the one grouped around keyboardist Jochen Irmler and the Klangbad label). There are actually two films on the disc — a 70 minute record of Faust’s performance at the event, and a slightly longer film titled Avant-Garde in the Meadows which gives an overview of the festival’s three days.
The Faust performance features the aforementioned Jochen Irmler and one other figure from the group’s early ’70s origins, Arnulf Meifert, apparently absent from Faustian circles for many
Continue reading Faust – Live at Klangbad Festival/Various Artists – Avant-Garde in the Meadows […]
There are four main ways of making music that sounds different to anyone else: by devising your own conceptual framework; using rare or unique instruments and equipment; developing an unusual approach to your instrument; or by training until your technique is broader, faster or more specialised than that of other players. Depending on your level of insecurity you may reinforce these with deliberate obfuscation, whether that entails removing the labels from your vinyl, claiming that you don’t understand or aren’t interested in your own process or ability, hiding your equipment or simply not answering questions. It depends whether or not you’re afraid of the competition or you think you’re the kind of person who’s only going to have one decent idea in your lifetime…
Continue reading Paolo Angeli – Tibi/Fred Frith – Live in Japan […]
OK, first things first. Until The Light Takes Us isn’t really a music movie. It’s not a musical, for a start, though that would be awesome. Can you fucking IMAGINE how awesome that would be??? It isn’t a musical, though. It’s not even a movie ABOUT music, because while it DOES talk about the music, it moves swiftly on. It’s kind of a movie about musicians, because all its leading characters are musicians, but their musicianship is not really the issue – fuck it. Let’s start here. Let’s get that can, rip the lid off and chuck the worms out onto the newly-painted floor. Until The Light Takes Us is about Norwegian Black Metal.
Continue reading Until The Light Takes Us […]
All ‘tached up and nowhere to go, here come Eugene Hutz‘s roving raggle-taggle band of gypsy punks, like an Eastern European (via New York) Pogues, raised on Rollins and Biafra instead of Strummer and Vicious. Dressed like a variety of seafarers, circus performers and drunks, the aesthetic is clearly a grubby one as Gogol Bordello take the stage with Ultimate. And, predictably, the crowd go absolutely fucking apeshit.
It’s hard to describe the energy of this band when playing live, but you can get a little bit closer with the live DVD in this rather handsome set (also containing a CD, of which more later). It’s still nowhere near the intensity of the real thing, but, like watching one of those old black and white videos of A-bomb tests, you
Continue reading Gogol Bordello – Live At Axis Mundi […]
Label: Decay/Target Video Format: DVD,VHS
Originally released on VHS in 1987, this collection of the Dead Kennedys live in concert and the studio finds them in fine Punk Rock form. As is to be expected, the sound quality of the gig footage (mostly recorded at Mabuhay Gardens 1979-80) is less than optimal, but at least it’s in stereo and captures the band’s tightly-whipped performances in the lo-fi essentials. One simple expedient to improve the viewing experience is of course to turn up the volume. As far as DVD extras go, they’re minimal – song selection, concise biographies for each band member after they called it a day in 1986, and the amusing addition of singalong subtitles for each song. DKs karaoke anyone?
Each track is intercut with short sections of handgun headshots, Ronald Reagan slapping Nancy upside the head
Continue reading Dead Kennedys – The Early Years Live […]
Label: 4AD Format: DVD+3xCD
There is an air of finality about the title and contents of 1981-1998. With the dissolution of their musical partnership into separate solo careers, Lisa Gerrard and Brendan Perry are no longer Dead Can Dance, but as the extensive essay on the group included in the luxurious slip-cased hardbacked book (jam-packed with landscape photos) which makes up the packaging of the set observes, the band lives on through its music. However trite that may appear at first – all now-split bands or deceased artists exist beyond their actual personal existence together, barring reunions and the like – somehow it seems even more appropriate when considering Dead Can Dance, who practically embody the idea of timelessness in their uniquely overwhelming sound.
One of the aspects of the group’s career which is remarked upon in
Continue reading Dead Can Dance – 1981-1998 […]
Label: Cleopatra Format: DVD
Yet again, it’s a Goth revival. Only a couple of weeks ago, one of the broadsheets began proclaiming black as the new black. The old black obviously not having been quite black enough. So here’s Cleopatra, with a bunch of nostalgia and some newer stuff too. Companion to their immense Goth Box, the DVD opens promisingly enough with Switchblade Symphony‘s “Clown”- some Goth chicks wailing over some chugga-chugga guitar with a whiff of electronica… I kinda liked it.
Truly, this compilation ranges from the sublime to the ridiculous… Alien Sex Fiend‘s classic “Ignore The Machine” rubs shoulders with Christian Death‘s “Romeo’s Distress”… actually, scratch that… “Romeo’s Distress” is one of the good Christian Death songs. Having so many bad ones to choose from, I’m kind of impressed at the selection. Elsewhere we get Red Lorry Yellow Lorry (incidentally the first band I ever saw live) doing
Continue reading Various – Goth Box […]
Label: Ignite Music Format: DVD+CD
I‘m never really sure how to review live DVDs. This is partly because I don’t buy them often myself, except as records of gigs or tours I’ve seen in person. But also it’s because they don’t really fit with my music listening habits. Thankfully, although I wasn’t at this gig, I saw them around this time on the most recent reunion, so the DVD’s a bit of nostalgia for me for a gig that was itself a warm fuzzy flashback to the Guildford indie clubs of my youth. If you’re not familiar with Senser, they were a radical homegrown equivalent to Rage Against The Machine or Body Count, with leftie lyrics and a twin-vocalist arrangement and dance-savvy sound owing something to Pop Will Eat Itself.
Fast forward eleven years from
Continue reading Senser – Live At The Underworld […]