Dekorder With a title which perhaps both echoes and references The Faust Tapes, Luke Fowler‘s second edition of electronic murmurings sets out a distinct palette of scrawls synthesis which skitters and frolics with a studied playfulness. Despite the title, this is actually Fowler’s début album, edited down from many hours […]
Daily archives: 18/01/2014
7 posts
Portland, Oregon 16 January 2014 It was a misty night in Portland. A thick gray pea soup clung to the street lights, obscuring any signs of modernity, anything outside of a three-foot nimbus. This Thursday evening had a particularly timeless feel – . The faithful have always gathered at night, […]
Safety Meeting Inspired by Sabbath, Acid Mothers Temple & Space Paranoid seem to do black better than Black Sabbath ever imagined. That stoner bass-line on the opening title track giving out a deep seriously trough-like muscle. A rippling crypt-like foundation for Kawabata Makoto to riff-witch all over, his frets carving […]
Mordant Music On Your Crate Has Changed, the chimerical union of the wicked Baron Mordant and resident sonar technician Nick Edwards, better known to the world as Ekoplekz, eMMplekz rally against the digital diaspora with bricks, knives; words and confusion. If you picture the polished perfection of pop culture glitterati […]
Sulatron Whoa! Let’s get things straight from the start – this is psychedelic music, pure and simple. . Both Papir and Electric Moon have a way of playing that turns your brain to mulch and then kicks it out of your head towards a multi-coloured sun. This meeting of fried […]
Further You know that feeling of ominous expectation, when a storm’s a-brewin’? What about the feeling of sparkling clarity, once the clouds have broke and vented their fury? This colossal slab, The Elements’ Rage, is like hunkering down in a megalithic stone circle as silver-dappled thunderheads of guitar, feedback, percussion […]
Southern Lord Opening with a kick drum that could loosen the fillings in your teeth, Pelican‘s fifth full length gets off to a brooding, ominous start with “Terminal,” a dark slab of menacing noise, its first half filled with an almighty bass and wailing feedbacking guitars. The dust then settles […]