Australian experimental, improvisational and traditional multi-instrumentalist Mat Watson is known for being part of large and uusual orchestras and collaborations. He has played with Boredoms, conducted an orchestra for 40 synthesisers at the Sidney Myer Music Bowl, has multiple solo and collaborative projects on the go at any one time.
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Since the mid-1970s, Allen Ravenstine has experimented with and expanded on the uses of creative synthesis, perhaps most famously with Pere Ubu (and later Red Krayola), where he brought "unpredictable textures, effects and pulsating washes of sound" to the mix.
This year has been huge in K-pop. South Korean pop culture is at a pivotal point where the new fourth generation of groups is making a definitive impact on the landscape.
You can harness it to make music in many ways, from just observing it do its thing and occasionally tuning something, to rapid playing with knobs and switches as musical performance. Also, from a compositional point of view, the concentration on one source or one process at a time and the interaction between sources and processes within a network can be used as a template for structure and inspires articulation.
As with every year, the turning of the seasons brings excitable crowds thronging to a new arena in another European city for an extended musical popularity jamboree, and Kev Nickells turns gimlet eyes and ears on the entries for 2023’s Eurovision Song Contest, sparing no blushes in the process. It’s the most wonderful time of the year. Not only do we get all the fun of good looking […]
Midori's session for Philippe Petit's Modulisme series allowed her to showcase the impact that modular synthesis has had on her electronic sound, and she outlines the ways in which her music has evolved as a result.
In which Iotar looks back at his year in music for 2022. There’s been so much excellent new music this year that I’m going to break this roundup into regional and thematic sections for ease of reading.
Nuclear Blast In which Kev Nickells (right) and Harmony Parker (left) listen to Cradle Of Filth‘s 2021 album Existence Is Futile at the same time and share their thoughts and/or review the record by direct message:
Experimental musician, singer and songwriter Siôn Orgon creates electroacoustic music, sound design and production in Cardiff. He has worked with the likes of Thighpaulsandra and is a member of Rocketgoldstar as well as collaborating over the years with groups and artists including Coil, Splintered, William D Drake, Peter Christopherson, Andrew Liles, Damo Suzuki, Faust and many more. Siôn also does sound design for BBC TV, as well as dance […]
A member of Thee Silver Mt Zion and a co-creator of the avant-klezmer group Black Ox Orkestar, Jessica Moss has collaborated and played with the likes of Daniel O’Sullivan, Sarah Davachi and Big|Brave. To accompany her fifth solo album, Galaxy Heart on Constellation, she is on tour throughout Europe. Mr Olivetti put some pertinent questions to the Montréal-based composer and violinist. This album feels like a rather wild and […]
The internet is a weird and wonderful place. The music industry is also a weird and wonderful place. So when these two worlds collide, strange and beautiful things happen. For many years, bands would play their way through dingy little clubs and venues until they could get signed, recorded and sent on local, then international tours. This is still an ever-present phenomenon, but the world wide web has […]
Polydor There is certainly something special about secretly listening to this album sitting on a dirty Paris street lined with overexcited kids eagerly waiting for those venue doors to open, to flood into a tiny downstairs room to hear these songs played live, some for the very first time. Yungblud is a twenty-five-year-old singer from Doncaster in England, who came up into the alternative pop-punk scenes over the […]
Electronic musician, artist, producer, engineer as well as module designer and maker for Future Sound Systems, Bristol-based Finlay Shakespeare‘s session for Philippe Petit‘s Modulisme project shows off his grasp of the classic British sound of independent modular-adjacent pop music from its heady early years. His influences also are also steeped in experimental electronic music, which led him to create the Throbbing Gristle-inspired Gristelizer eurorack module in association with its […]
Even in the midst of the continent’s most devastating war in half a century or more, the Eurovision Song Contest sails on; and what better than having Kev Nickells take on the annual task of examining and occasionally eviscerating each nation’s entry in all the detail such a cultural monument deserves. It’s the most wonderful time of the year. In a year that Europe has been pretty shaken
Active since 1971, the Canadian Electronic Ensemble has the distinction of being the longest-running live electronic music formation in the world. Their session for Philippe Petit‘s Modulisme project showcases the sort of modular synthesis sounds that the ensemble have been performing annually in Toronto and on tour around the world for over fifty years. The current membership includes founder members Jim Montgomery and David Jaeger alongside John Kameel […]
Robert Sotelo‘s latest LP Celebrant comes out to the world via the good offices of Upset The Rhythm. A keen self-interviewer and lateral-thinking artiste, Robert has taken a moment or twelve to guide the listener through each song on Celebrant, giving a personal touch to each number.
Daniel Burke has been recording and performing music as Illusion of Safety since 1983, with a variety of collaborators joining him along the way. Dormant from 2015, he revived IOS in 2020, continuing the exploration of unconventional sound using unorthodox devices and methods. Daniel’s session for Philippe Petit‘s encyclopaedic ongoing Modulisme project last no less than eight hours, and is a tour de force of experimental music in […]