Library Voices member and sound artist Michael Scott Dawson has turned an unexpected bout of vertigo into the impetus for this series of stunningly minimalist vignettes that use generative synth tones to form slow moving cascades of ambient sound.
Over these unfurling soundscapes, a layer or two of found sound or carefully selected guitar notes are placed to realise a dreamlike, pastoral idyll that drifts past the listener. These extra textures on Nowhere, Middle Of, be they the sound of birds or of the wind in trees, prevent the pieces from descending into formlessness.The bout of vertigo and the sensations that it would have caused in Michael go some way to informing the pieces detailed here. There is a natural sway and movement to them that takes them outside the studio and firmly plants them in the outdoors; the kind of pastoral exterior that is infused with wan sunlight, all browns and creams and pale golds. The space that Michael uses across the pieces is expansive. The notes stretch like supple saplings in a strong breeze and the guitar notes when used throb with gentle reverb. It is liminal and gossamer and evokes nature in all its hidden glory; the kind of glory that is only experienced by the intrepid or those seeking lonely treasures in a beckoning landscape.
Some of the pieces are given a little more dynamism by some unexpected series of sounds; they aren’t necessarily recognisable, but are supposed to be there as if something unknown is taking place over a hedgerow, invisible to you but perfectly in its place. At other points, the twang of an electric guitar and a slow and steady drip send us a little further under the cover of a cool, shadowy place, light blocked out temporarily, but not such that we could lose our way. In other places, it is hard to focus as sounds become blurry, with slightly distorted tones lending an unusual edge to the descending background.
-Mr Olivetti-