In Real Life So 2020’s Pompi EP from Meth Math was one of the highlights of the year for me, despite the fact that I flounder to describe it any more accurately than the phrase “ketty reggaeton”. And this new EP is not very reggaeton. Which is fine but they […]
Kev Nickells
Purple Trap Keiji Haino has rarely been one to avoid portentous titles and boy howdy has he stayed on-brand with My Lord Music I Most Humbly Beg Your Indulgence In The Hope That You Will Do Me The Honour Of Permitting This Seed Called Keiji Haino To Be Planted Within […]
Karlrecords Of course we’re all knee deep in re-issues of unheard electroacoustic works at this point in history, but Iannis Xenakis is something special-er than merely one of the bods who had a go at electronic means to produce music. A lot of composers went through periods of giving it […]
Greyfade Christopher Otto has clearly read the twentieth century composer’s guide to nicking ideas from the East, and leans heavily on knowledge of just intonation. But this debut release isn’t one of those superficial “exotic” borrowings (when do we get to lay into Terry Riley for that, by the way?) […]
Here we are then, a big ole' retrospective of Faust's... if not golden era, then certainly their best-known stuff. "Canonical" krautrock. And of course krautrock is a silly term at its silliest in reference to Faust -- the German band featuring least Germans, singing in French and English and German
Two albums linked by a label (Discus) and a player (Matthew Bourne ) and possibly joined by being somewhere in the fallout of jazz that’s not quite jazz. Neither sounding particularly alike, and that’s as it should be. Mzylkypop – Kiedy Wilki Zawyja? There are other words that precede it […]
Sub Pop I think this didn’t leave the CD player for a good ten listens when it came through. I wouldn’t say I was one of those Low fans. I was mostly indifferent for the last twenty years or so. But Double Negative really was a massive shot in the […]
Bedroom Community As often happens with these things, Rakhi Singh was a new name on me and then her Manchester Collective popped up for this year’s proms, putting in a rare performance of establishment-baiting Julius Eastman. Having checked out some of her other work, she’s clearly comfortable sitting with the establishment […]
Spoon / Mute The live CD is a precarious beast. Cementing the band’s reputation or besmirching it with cash cows. Or somewhere in between — servicing the more obsessive of a band’s fanbase, kneecapping the bootlegger. I’m often cautious — for a band like Can, how much is it adding […]
The most wonderful time of the gay year, isn’t it. How much we’ve gay learned, and gay we’ve all become. I mean joking aside, there’s a lot of people have had a chance to spend some time with themselves and have come out as fuck. So it’s not all bad. […]
(self-released) Debut record from a Brighton-based duo doing something oddly nostalgic. In a way that’s possibly not obviously nostalgic. I don’t know how many readers are familiar with that time in “post-rock” when it was more associated with Tortoise and being quietly cerebral than big instrument rockist gestures, but this […]
Broken Tape I’ll apologise for being brusque, but there’s a lot to get through and we haven’t got all day. – What is harsh noise wall? It’s harsh noise, except less happens. Typically fairly long, typically just white noise, typically minimal if not no dynamics. Often abbreviated to HNW. If […]
Death Waltz Originals Gong possessors ANTA, of Bristol legend, sutured to the might of international man of Italo mystery Antoni Maiovvi, who is definitely not from Bemmie before it got poncy. What is the score? Well. I am here for PURE MUSIC. And how pure it is! Pure as the […]
Misanthropic Agenda Quite where we are here I’m not entirely sure. I don’t really follow a lot of noise or musique concrète or, like, whatever this is. But that this is a 4CD boxset suggests that either Francisco Meirino‘s of some standing or the label owe him a favour for […]
Kindarad Those of you who’ve been following MXLX (he of Fairhorns, Knife Library, very etc) will know he’s a slippery bugger. His earlier days — mostly characterised by the now-defunct Team Brick project — went through a series of phases, sometimes in the same gig, pulling in stimmy noise, klezmer-after-burial, […]
Monzen Nakacho For the uninitiated, Monzen Nakacho is something like the two-step-gone-goth solo project of one Gary Short from sunny Worthing in the UK. And it’s the sort of music that you can only imagine coming from somewhere like that — parts end of the pier glee and lurid flourescence, […]
Crónica There’s a quality that some music has of being like an old friend. I’ve not listened to any new Francisco López in a decade or more but the ’00s CDs of his I have get a fairly frequent spin. Those CDs tended towards a kind of quietism — usually […]
Phantom Limb / Dekorder / and forty-two others worldwide Senyawa apparently move in circles that include your Stephen O’Malleys and your Damo Suzukis and your Oren Ambarchis. But let’s not hold that against them. They’re an Indonesian duo that use… well, it’s not clear what of these sounds is orthodoxly […]
Ankst In my head, Datblygu are putting out records at a rate of knots, but it’s been five years since Porwr Trallod, so what do I know. Time gets slower over forty-odd years, maybe. For the uninitiated, Datblygu are something of a legend in Welsh-language music, and not enough of […]
99Chants Another day, another re-issue of an overlooked female composer. That might seem glib, but there’s a lot of it doing the rounds at the moment. And let’s be fair, composition is still too frequently male-heavy. Bunita Marcus is (unfortunately) known as one of those adjacent figures — a New […]