Following up a breakout film is obviously a difficult position, a constant questioning of whether to continue doing what made you a success in the first place, or to experiment, to use the newfound resources that success affords to embrace grander visions. It’s a position that director Junta Yamaguchi and screenwriter Makoto Ueda find themselves in, and one in which they succeed and fail in equal measure.
Daily archives: 23/02/2024
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Fuzz Club Recorded over ten years ago and presumed lost in the digital æther, The Telescopes‘ sixteenth album is a game of two halves; one half recorded in Berlin at the Brian Jonestown Massacre studio and the other back in Leeds with the venerable Richard Formby. Co-opting London-based experimenters One […]