For me there is something in the melodic approach, the ringing guitars and personal lyrics that reminds me of the halcyon days of nineties guitar bands but with a modern twist, and with the addition of fiddle from Sophia Bartlett and banjo from Michael Rea pushing things in a slightly more countrified direction.
Daily Archives: 23/10/2026
4 posts
So when An Undying Love For A Burning World dropped, it was an incredible surprise, but one that gave rise to the usual uncertainty of a band returning from hiatus -- what it they’re shit now? Fortunately, they aren’t. As
...they use the mellow side of jazz as a starting off point, but happily mix it with classical, pop and a more progressive leanings to lead the listener gently down unexpected side streets.
Over sixteen tracks and a little under an hour, their insistent distorted guitars and brutal, thuggish drums revel in a sort of set construction that feels as though they are squeezing too much sound into too small a space that the guitars and drums seem to take it in turns to add a brick or slide in a block and watch the edifice gradually grow.