Black Mass Rising Canadian composer Mort Garson stands among the likes of Jean-Jacques Perrey and Wendy Carlos as one of the more interesting innovators who explored the weirder extremes of popular music with the aid of the Moog synthesizer from the late 1960s on into the next decade and more.
reviews
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Play Loud! Oozing an off-kilter chemistry, Guru Guru were full of escape plans and wormholing excess filled with a real “let’s see what these toys can do” verve. The first three tracks of their début album UFO (re-released at last on both black and turquoise vinyl by Play Loud!) hold court to a certain rock joie de vivre, a freeform adventure that surges at you both explosive and mesmerizing, […]
London 13 May 2016 Blow my cool. Bite my lip. See me through on my death trip. Once the needle had finally run out from the closing grooves of “Death Trip”, the concluding song of Iggy and The Stooges’ 1973 white-hot masterpiece Raw Power, there was no shortage of occasions when it looked like the title was truly a prophecy rather than merely youthful braggadocio.
TRI This is the first 46,000 Fibres release in eleven years and it’s been well worth the wait. I first experienced The Fibres back in 1995, snapping up their début offering Emanates at a local record shop that has long since disappeared back into the anodyne dullness of town. A strange brew that exacted a curious pull – a joy of glinting directions and vascular honeycombs. Now, years later, […]
It’s that time of year when Kev Nickells undertakes his annual mammoth hatchet job feature-length review of every entry in the Eurovision Song Contest. Let the ritual ruination and Eurotunnelvision enthusing literally begin.
London 10 May 2016 Tonight initially felt like it was going to be a strange experience. As a Yes fan for many years and seeing them play live quite a few times (oddly, the first time was on the Drama tour) this would be their first London outing without founder member and bassist Chris Squire, who passed away last year. So in a strange way, I wasn’t quite […]
Sulatron (CD) / Pancromatic (vinyl) In the TV series Cosmos, Carl Sagan travelled the universe and beyond in his spaceship of the mind to transport the humble viewer at home to worlds beyond our imagination, taking us into the deep realms of space. While he sat there at the controls of his craft, Sagan would offer thoughts on humanity and how small we really are among the vast […]
London 29 April – 1 May 2016 Desertfest is the place where the stoned immaculate of Britain (and several other countries) meet in one of London’s coolest areas, watch some of the heaviest (and out there) bands over a three day period in five different venues.
London 25 April 2016 Just as everyone thought that Spring had really, finally, definitively arrived, fresh and rosy-fingered, Winter once more puts its cold, cold hand back onto our shoulders. Arriving at The Scala (always redolent with memories of all-night Eighties quadruple bills and marathon Shock Around the Clock gorefests1) it feels more like January again than practically May. Inside, I stake a place at the front of […]
Bureau B Some lovely head-spheres to had here; Bureau B have a penchant for headphoned fayre and this gem of new production that gathers together three renowned Berlin guitarists certainly hits the mark. A tirade of Neubauten‘s Jochen Arbeit, Ziguri‘s Günter Schickert and Schneider TM‘s Dirk Dresselhaus that literally dissolves into one cohesive whole, their usual weapons of choice circuit bent into a necropolis of simmering silica in […]
Spinefarm/Machine Elf Purson’s second album seems to have been a long time coming for their growing army of fans. With the stop gap EP In The Meantime giving us a glimpse into the direction the band would head towards next, it can now be seen as only a prelude to this multi-coloured psychedelic concept piece that will probably have people deciphering its meaning for the next twenty years.
Rocket On the back of last year’s Infinity Machines double comes this dinky three tracker, the traumatic jazz of yore siphoned into some gloriously sculpted discord – 36 minutes that are seriously pissed off. A notion that gathers momentum on the slinky low-slung beginnings of the opener – a Jah Wobble dub, all languid and wanting. “There’s too many faces in the mirror!”, exclaims Paddy. “I can’t decide […]
Thrill Jockey Using unconventional tunings for both guitar and banjo, Glenn Jones‘ latest exploration of the texture and tone he can wring from five, six strings and more cements his deserved reputation as one of the singular exponent of both instruments.
Qilin Recorded in the Gothic church of Saint-Étienne in Cully, Switzerland by the duo of Tobias Preisig and Stefan Rusconi on violin and organ respectively, Levitation sets out to do just what its title suggests, albeit subtly and in a reflexive mood. Thanks to the close miking, the sounds the pair extract from their instruments are examined and extracted in peculiar detail, and their respective tones and timbres […]
Ici D’Ailleurs It’s great to hear Semtex again and what a fizzing refresher of fortitude “Sleep” still is – a bastardised drum foray tied to a ugly slurry of overdriven noise. Yeahhhh, as first tracks go, this is a tight shiny driven thing, a dervishing centrifuge storming the brain in raw energy.
London, 12 April 2016 Brighton, 13 April 2016 I went to two gigs in two days for Freq. They were unrelated, possibly, but worth pointing out that gigs are experiential things — it’s often more about the being there than what was played and such. That or I’m too lazy to write two separate reviews, so collapsing them into one with some spiel about commonalities is a rhetorical […]
(Self-released) Aphelion unfolds with the chirruping scratchiness of a host of slothful machines awakening and dozing, dreaming fitfully or snoozing comfortably in the electro-acoustic bath that Ipek Gorgun has prepared for them. Listened to in a state of semi-willing wakefulness in the imminent expectation of the arrival of hypnotised, tired-out dozing that movement through a landscape can engender, Aphelion matches those moods and the state of hovering just between […]
Essence Originally composed for two festivals in Berlin and taking its title from the SI unit of measurement of ionising radiation dosage in human tissue, Sv (or Sievert in full) is both immediately recognisable as Nadja and quite the departure for Aidan Baker and Leah Buckareff. While the duo’s love of all things droney and epically skyscraping is present and correct, so too is an incipient percussive trickle […]