To accompany their release of Ariel Kalma‘s An Evolutionary Music, RVNG Intl. have put Matthew McGuigan‘s documentary about a day in the life of Kalma online here:
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To this end, the existence of this film alone is heartening. Varda now sits at a place where a documentary like this can get green-lit; broad, populist, removed from the academic and cinephile discussions she was once the reserve of. Here we get Varda by those that new and loved her and her work; her family, fellow filmmakers and critics, and as such it’s by no means a deep dive, though enjoyable all the same.
Preceded by the “Chateau” single earlier this month, unconventional musical subversives R.O.C return with their first album in twelve years, Bile And Celestial […]
It does well to initially evoke its era. The film’s primary tones are garish neon and sweat on skin, like a grimy San Junipero, and the set design and cinematography do well to create sense of a place where macho sleaze permeates every nook and cranny of the town. The problem is the characters that inhabit it feel too archetypal, too lacking in the eccentricities and unpredictabilities that would make them believable.
Against the backdrop of a 2023 which brought a BFI retrospective, and what looks to be his late career masterpiece, EO, comes this release from Second Run of three of Polish auteur Jerzy Skolimowski’s key early works. They show a truly forward thinking director, whose work from this era remains relatively under-seen compared to his contemporaries, despite it containing some true classics of the European New Wave.