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Acid Mothers Temple/Southall Riot/Floach (live)

The Social, Nottingham 30 May 2001

The first act were Floach, an electronics duo from ScoobyDooLand. With a table full of electronic contraptions that would have made Throbbing Gristle drool (and a hairstyle that would have frightened Dave Hill from Slade), they cooked up a glorious electronic rumpus. If Pierre Henry had been commissioned to compose the incidental music for a Carry On film, it would have probably sounded like this. Sometimes they hit a groove, other times they just turned up the heat and let their pots boil over. Watching lab technicians at work is usually a boring experience, but Floach were smart enough to suss this out and took the piss out of themselves in such a charming way that you couldn’t help but like them. They made you like them.

Next act, Southall Riot. Oh dear. The classic scenario; It’s all very well, and they’re probably nice

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Salvatore – Fresh

Label: Racing Junior Format: CD

Fresh - sleeve detailSalvatore popped down to Marrakesh from their Nowegian home to record Fresh, and from the opening twang of “Get The Kids On The Street, It’s A Party” things take on an electronic groove dimension which can only have been aided by the atmosphere of Morocco. “Get The Kids…” holds all the Motorik cards, dealing out chord chugs and twirling synths on a rhythmic base held in precise tension through the crisp sound of the brushing drums and the clanking sound of brand new bass strings. The title is just about right too, as it’s a perfect number for getting things going in a bouncy style.

It’s no real surprise that Salvatore are going to work on their next album with John McEntire either, as there is much to Fresh which relates to the expansive sound of

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Bomb20/2nd Gen/Zan Lyons (live)

2nd Gen Electrowerkz, London 4 May 2001

Noise and gunge and digital Punk Rock descend on paintball hall Electrowerkz, and even if the night is also a launch for the No More Rock N Roll compilation, it really does have some stomping moments to put a writhe on the dead face of Sid Vicious and perhaps Kurt Cobain too. Why? Because the kids jump up and down, make temporary mosh pits even, in front of the selection of electronic soloists (plus guests) who, despite the proliferation of laptops and boxes of tech’n’DATs , really give it some, and put on a show while they’re about it.

Zan LyonsSo after a few hours of previews of the new DHR video compilation (well worth checking out for the expected bunch of vids from Atari Teenage Riot via

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