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Morton Feldman – Clarinet and String Quartet

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Morton Feldman - Clarinet and String QuartetComposition’s kind of ridiculous to write about in that you have to write about (broadly) two things — the composition and the delivery — and differences between various recordings can be relatively minimal. Usually, the appeal of composition from about the ’40s onward is that it falls into one of two categories — shit, therefore over-recorded (Phillip Glass, most Americans) or amazing, therefore under-recorded (usually by Europeans). Morton Feldman is an anomaly in that he’s an American composer who isn’t shit and is relatively well-recorded.

Feldman’s also an anomaly insofar as he makes some gruelling, implacably tense music that has an appeal that’s relatively broad. He’s sometimes termed a ‘minimalist’, which is true in a fairly flat sense and not true in another. Some of

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