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Otoroku label round-up (Decoy with Joe McPhee / Otomo Yoshihide, Sachiko M, Evan Parker, Tony Marsh, John Edwards and John Butcher / Brötzmann, Adasiewicz, Edwards and Noble)

Michael Rodham-Heaps tackles a trio of recorded documents from London’s Café Oto released for wider consumption on the ever-expanding Otoroku label…

Decoy with Joe McPheeSpontaneous Combustion

Decoy with Joe McPhee - Spontaneous CombustionThis one grabs my attention first, the gritty screen-printed abstracts go well with first half of this tasty double, recorded back in twenty eleven. It’s a fragmented fermentation, loose dot-joining limbs avoiding the unusual scuffle cuffs jazzy improv seems to gravitate to. Little strangulations of trumpet here a there, weird auras of percussions taking the ear, then sliding back out on tantalisations on venting, pursed lips.

The Hammond trickling in the background, then foreground chasing. The trumpet crawling over it, full of bicycle bell and cymbal dopplegangers, everything surging in unsteady curving

Continue reading Otoroku label round-up (Decoy with Joe McPhee / Otomo Yoshihide, Sachiko M, Evan Parker, Tony Marsh, John Edwards and John Butcher / Brötzmann, Adasiewicz, Edwards and Noble) […]

Japanorama: Otomo Yoshihide/Sachiko M./Yasukatsu Oshima/Haco/Ishikawa Ko/Yagi Michiyo/Toshimaru Nakamura/Taku Sugimoto/Furuta Mari (live)

Furuta MariQueen Elizabeth Hall, South Bank Centre, London 17 January 2001

It’s something of a joy to behold – the entire Queen Elizabeth Hall foyer buzzing with anticipation before the start of the London event in the Japanorama tour of eleven British towns and cities. Why a joy? From Kendal to Liverpool, Colchester to Manchester and Sheffield, in venues with capacities of a few hundred to tonight’s couple of thousand, the tour is sold out. Who would have expected it for this dizzyingly good representative sample of the fringes of Japanese underground music? But enough wonder, and suffice it to say that the results are more than worthy of the audience’s faith. Perhaps it shows that the West has woken up to the exciting possibilites of Japan’s rapidly diversifying culture, beyond the old cliché of copyism and kitschadelic gloss into a recognition of

Continue reading Japanorama: Otomo Yoshihide/Sachiko M./Yasukatsu Oshima/Haco/Ishikawa Ko/Yagi Michiyo/Toshimaru Nakamura/Taku Sugimoto/Furuta Mari (live) […]