Long out of print and originally put out in 2006 by small DIY label Vendlus, then emerging on Southern Lord a year later, Diadem Of 12 Stars has now been remastered and re-released on Wolves In The Throne Room‘s own Artemisia Records.
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On Celestite, the fifth LP from Olympia, Washington’s atavistic warriors Wolves In The Throne Room, the Weaver brothers have done probably the least black metal thing imaginable, and released a record of modular synth soundscapes. And while the keepers of the trve kvlt flame are undoubtedly at home, sharpening their battle axes and planning a jihad, Celestite points out some interesting layers of the modern musical milieu, as well as simply being good music.
Since the very beginning, Wolves In The Throne Room have been accused of being hipster metal — solely responsible for getting a generation of skinny jeans emo vegans into the blasphemous glory of black metal. For the grim hordes this is, of course, unforgivable, but it’s not
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Black Cascade, the third album from Wolves In The Throne Room, is truly epic stuff, clocking in at four superb monolithic compositions. For me it ticks all the black metal boxes: big guitar riffs, big keyboard parts, triplets galore, and tempos that run from the majestically slow to death blasts and back again. Black Cascade is symphonic, but not as furious as, say, Emperor. Nor do Wolves In The Throne Room vanish into some kind of nasty neo-pagan Tolkeinesque kitsch favoured but some modern black metal bands.
Black metal has come a long way from the good old bad old days of church burnings, inter-band killings, and one dimensional road drill death blast. Its a whole lot more accessible and,
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The Underworld, London 10 and 12 February 2008 The day after a chunk of Camden Market burnt down, Southern Lord‘s finest black metal act touch down in The Underworld. Thankfully the conflagration was at the other end of the High Street, so the gig continued as scheduled with the only hint that something had occurred being the line of police officers across the road by the tube station.
Support act Naked Shit are notable not only for their terrible name, which at least sparks debate as to whether it’s a nude turd or an excretion performed in the altogether, but for the presence of a horse as the bass player. OK, so it’s really a man in a suit with
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