“Allons enfants de la Patrie, le jour de gloire est arrivé.” When the musical “Marseillaise” is sung, there can surely be no more fitting embodiment of Gallic savoir faire than Richard Pinhas. Philosopher, guitarist, innovator, electronic music pioneer – his visage is perfectly placed to flutter aloft on the bloody banners raised above the barricades.
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Les Disques Victo
The meeting of five titans of noise and experimental music onstage at the Victoriaville Festival in May 2011 was an occasion for a well-formed on the hoof composition from the five performers involved: Richard Pinahs of Heldon fame; Merzbow; and Wolf Eyes. While the latter have frequently been lauded as being in the same league as Throbbing Gristle, their albums and live shows have been sometimes less than impressive, and often failed to actually live up to the expectations heaped upon them at the time of the music press’ rekindling of interest in all matters noisy and oblique over the last decade or so.
However, all that is changed here. It’s not particularly easy to determine who is playing what in the
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