Gabriel Carrer‘s In The House Of Flies is an ’80s movie, made in the second decade of the twenty-first century designed around a trope from the first which became a cliché and eventually a sub-genre all of its own, though it does a bloody good job of avoiding cliché and in the process returns the trope to its ingenious origins.
Remember Saw? The first one, I mean. The one that had that wicked premise of the two guys, the handcuffs and the hacksaw and which promised to be a twisted psychological thriller? And to an extent actually was one, but which also spiralled out on a more ghoulish trajectory and gave birth the the oh-so-soon-to-be-completely-played-to-death mainstream torture porn craze? Imagine if it had stuck to that premise, or
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