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Every Contact Leaves a Trace label feature (Seth Cooke/Henry Collins/Ignacio Agrimbau/Dominic Lash and Will Montgomery)

Four releases from a shiny new label devoted to something like sound-art, but not as asceptic and dry as that genre has a habit of implying. Hopefully, label head Seth Cooke is already known to Freq readers, but if not his is a formidable CV – sometime Freq writer, engine, petrol and tillerman for Bang The Bore, previously one of spazzy rock’s finest drummers (Hunting Lodge), an improviser of God knows how many outfits, episodic A Bander, contemporary composition performer (mostly on the Wandelweiser side of things), conceptual sound-art tickler and probably a raft of things I’ve forgotten.

Before I start cooking the meat of the corpus, it’s worth pointing out that the label, thus far at least, is pretty concept-heavy. Concept is often a perilous matter – sound-art/experimental/whatever tends to rest atop well-articulated concepts but if there’s not much attention paid to whether or not it’s worth following through

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