So. I did some reviews of the first batch of Every Contact Leaves A Trace releases, which were fine indeed. And here we are, just two short years on, in a world that looks slightly different. And yet, on plod sound-art micro-labels, furrowing obstinate fields. I say that in a fashion that might sound derisory, but if I know one thing about ECLAT label-head Seth Cooke, it’s that he’s bloody-minded.
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Continue reading Every Contact Leaves A Trace label feature revisited (Henry Collins / Helen White / Marvin Tate, Joseph Clayton Mills) […]
Bristol 6 June 2015
Henry Collins’ — formerly known as Shitmat — Morris Meets the Bikers (after the ZX Spectrum arcade game?) were up first. They were having so much fun that they were oblivious to the fact that only five people were actually watching, which was a shame for they were really bonkers.
Billed as a DJ set, this was more a performance than just spinning tunes. A magical mystery tour with everything basking in a semi/hardly recognisable state, crunched and filter-foddered into slip discs and rumba-chucked grittiness, literally all over the shop: one minute black metal groans, the next balladry whimpers mangled by noisy concertinas and throbbing bass.
That 2001 theme tune sounding like battery acid had been poured over it, the
Continue reading KK Null & Kawabata Makoto / MXLX / Kepla / Rosen / Morris Meets the Bikers (live at The Island) […]
Four releases from a shiny new label devoted to something like sound-art, but not as asceptic and dry as that genre has a habit of implying. Hopefully, label head Seth Cooke is already known to Freq readers, but if not his is a formidable CV – sometime Freq writer, engine, petrol and tillerman for Bang The Bore, previously one of spazzy rock’s finest drummers (Hunting Lodge), an improviser of God knows how many outfits, episodic A Bander, contemporary composition performer (mostly on the Wandelweiser side of things), conceptual sound-art tickler and probably a raft of things I’ve forgotten.
Before I start cooking the meat of the corpus, it’s worth pointing out that the label, thus far at least, is pretty concept-heavy. Concept is often a perilous matter – sound-art/experimental/whatever tends to rest atop well-articulated concepts but if there’s not much attention paid to whether or not it’s worth following through
Continue reading Every Contact Leaves a Trace label feature (Seth Cooke/Henry Collins/Ignacio Agrimbau/Dominic Lash and Will Montgomery) […]